Copy and past. usefull time saver or lazy and off putting?
I think copying and pasting is cheating. You're obviously not helping yourself progress with your art skills if you copy and paste all the time. I've never used copy and pasting with art from one comic to another, but sometimes copy and pasting one frame in the same comic can be used creatively, such as one of Ghastly's comics(<<<Definitely NSFW, it's the hentai cocksucking one).
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ive done it from time to time
- most recently here, which feels utterly like cheating, and it doesnt even look good!
http://photobucket.com/albums/v76/Shine ... c1p1v1.jpg
i will sometimes use it to show an extended period of still, but even then, i usually copy paste my sketching and detail over the top anew.
- most recently here, which feels utterly like cheating, and it doesnt even look good!
http://photobucket.com/albums/v76/Shine ... c1p1v1.jpg
i will sometimes use it to show an extended period of still, but even then, i usually copy paste my sketching and detail over the top anew.
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Huh... That's about the time I gained an interest. I guess people can just see things differently. And bessides, Would he have been half the artist that he is had he kept C&Ping?HeDanny wrote:In all honesty once EOI strayed from the copy / paste (around the time W00t showed up) I started to loose interest.
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JexKerome wrote:So no cut and paste for me, thank you. If a comic uses it, I skip it.
This webcomic, seen here is hosted on the free web host Comic Genesis which pretty much proves its not popular.
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I use it a fair bit, though I worry when I do. Mainly because the way I draw my worms is so inconsistent that copy/paste stands out a mile. Sometimes it works better than others - for example, in this strip I used copy/paste for frames 5 and 6, with a few modifications:
http://bootcamp.keenspace.com/d/20041020.html
I also think it works okay here (frames 5 and 6, and frames 7 and 8 ):
http://bootcamp.keenspace.com/d/20041120.html
In both those cases I feel it works because there's a deliberate sense of shock/surprise on the part of the characters. On other occasions I think it came out worse, sometimes because I didn't think I drew the original panel too well, sometimes because it didn't seem appropriate:
http://bootcamp.keenspace.com/d/20041018.html
http://bootcamp.keenspace.com/d/20041022.html
http://bootcamp.keenspace.com/d/20041113.html
In fairness, most of these are relatively early. I'm trying to be more cautious with it of late, keeping it for backgrounds. I've also tried to correct my "drawing inconsistency" fault by starting to use "blueprints": having very basic circle-and-line "scaffoldings" of the characters, from which I draw the actual character on a different layer. Hopefully it'll make them look a bit more consistent without copy/paste.
http://bootcamp.keenspace.com/d/20041020.html
I also think it works okay here (frames 5 and 6, and frames 7 and 8 ):
http://bootcamp.keenspace.com/d/20041120.html
In both those cases I feel it works because there's a deliberate sense of shock/surprise on the part of the characters. On other occasions I think it came out worse, sometimes because I didn't think I drew the original panel too well, sometimes because it didn't seem appropriate:
http://bootcamp.keenspace.com/d/20041018.html
http://bootcamp.keenspace.com/d/20041022.html
http://bootcamp.keenspace.com/d/20041113.html
In fairness, most of these are relatively early. I'm trying to be more cautious with it of late, keeping it for backgrounds. I've also tried to correct my "drawing inconsistency" fault by starting to use "blueprints": having very basic circle-and-line "scaffoldings" of the characters, from which I draw the actual character on a different layer. Hopefully it'll make them look a bit more consistent without copy/paste.
I have used copy and paste only twice in BOMC, I think... and both times it was needed.
I think both of the reasons have been mentioned before, but here they are again.
1) To show characters sitting around and being bored.
2) To highlight a very minute detail (in this case, an eyebrow raising).
Now, it's not that I am lazy: I attempted to redraw each panel. But just drawing the characters in the same pose, from the same angle for even just 2 panels gets boring. However, it was neccessary for the gags that the panels looked the same, so I copied and pasted.
Copy and paste does bother me when there is no reason that the panels should look the same, though. But i don't think you should say "NEVER use it".
I think both of the reasons have been mentioned before, but here they are again.
1) To show characters sitting around and being bored.
2) To highlight a very minute detail (in this case, an eyebrow raising).
Now, it's not that I am lazy: I attempted to redraw each panel. But just drawing the characters in the same pose, from the same angle for even just 2 panels gets boring. However, it was neccessary for the gags that the panels looked the same, so I copied and pasted.
Copy and paste does bother me when there is no reason that the panels should look the same, though. But i don't think you should say "NEVER use it".
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*Goes looking for cut & paste on McDUffies*mcDuffies wrote:It's only important that I'm still there.JexKerome wrote:*Takes off BOMC from fav list*
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If it's there, I WILL find it.
Faith is what credulity becomes when it finally achieves escape velocity from the constraints of terrestrial discourse- reasonableness, internal coherence, civility, and candor. Thus, the men who commited the atrocities of September 11 were neither cowards nor lunatics of any sort, but Men of Faith- perfect faith- and this, it must finally be acknowleged, is a terrible thing to be.
Once upon a time I made a cut-n-paste stick figure comic, and I'm not very proud of it. Actually, I've completely removed it from the web. It's always better to have less of a schedule, and more real artwork, even if it's not very pretty.
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If you use a computer, C/P goes with the territory.
I used to have disdain for it until I started working with flash. Then I realized how quickly the topic became a non-issue. Depending on the medium, it might be absolutely essential.
I've seen it used for the good effect of continuity and consistancy. That works with backgrounds or split-second changes from one scene to the next. Probably a bunch more uses.
Also seen it used by artists where the dialog was much more important than the character movement. "Gluemeat" comes to mind, and I like it. Actually I Gluemeat looks like flash, so it's probably best to consider the characters as "Objects" that can be re-used as necessary.
The pixel art comics HAVE to use it, so it's a non-issue.
I've used it for effect, but not to be lazy. Also, my rants make note whenever I do.
I prefer to keep trying to draw new shots, but I'm trying to get 3d models completed, so in the future I'll just be playing with dolls.
Ultimately this kind of question applies to the "We actually draw our work" bunch. Among them I guess it might be frowned upon or something.
Whether hand-drawn, copied, photographed, or modeled, all I care about is for the finished product to be worth viewing.
Peas.
I used to have disdain for it until I started working with flash. Then I realized how quickly the topic became a non-issue. Depending on the medium, it might be absolutely essential.
I've seen it used for the good effect of continuity and consistancy. That works with backgrounds or split-second changes from one scene to the next. Probably a bunch more uses.
Also seen it used by artists where the dialog was much more important than the character movement. "Gluemeat" comes to mind, and I like it. Actually I Gluemeat looks like flash, so it's probably best to consider the characters as "Objects" that can be re-used as necessary.
The pixel art comics HAVE to use it, so it's a non-issue.
I've used it for effect, but not to be lazy. Also, my rants make note whenever I do.
I prefer to keep trying to draw new shots, but I'm trying to get 3d models completed, so in the future I'll just be playing with dolls.
Ultimately this kind of question applies to the "We actually draw our work" bunch. Among them I guess it might be frowned upon or something.
Whether hand-drawn, copied, photographed, or modeled, all I care about is for the finished product to be worth viewing.

Peas.

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but even when you cut and paste you still improve. you can create new objects, new movements, new features... it just allows for a more consistant look... and while I agree that if you've got the whole "drawing thing" down, then go for that if you can make it consistant, but there are so many comics out there with horrible art that it's just painful to look at... and that really hurts too. It's kinda a trade off I guess... but as I said before even the big dogs use their cut and paste, and if they can use it and be loved, then anyone can.One always gains more respect when they attempt to improve upon their skills, as compared to continuing indefinitely in mediocrity.