Toawa wrote:...As the board's token conservative, let me take this opportunity to say that it's not abstract art that I hold in low regard, it's the funding of abstract art . . . If the artists can sell their art to people willing to buy it, more power to them. . . ..
Gosh, then I guess you deserve to live in a world where The Market decides what is good and what is not good art.
Despite the NEA's many well-publicized abuses*, overall, more good than harm has been done for our nation by this program. A measurable amount of taxable economic activity was generated from this subsidized industry. Is it the government's job? Ask yourself what ". . . to promote the general welfare. . ." could have possibly meant.
* wrote:(including the ill-advised religious blasphemies; ignore whether or not an artist should have a right to do this (ie. offend people; offend religions; offend very large, old, well-connected, well-funded, politically powerful, paranoid groups), whether or not the government should pay for it - was it a constructive endeavor, overall, considering the political (and actual) damage that it did to NEA? Answer: No. Hypothetical: Had I been the grant sponsor, I would have told Maplethorpe, and the urine crucifix guy, and the elephant-poo guy, to go sit down and take a sabbatical, and do a long, scholarly paper on what such art might mean; prior to actually applying for any govt. funding again. But that's just me.)
My bottom line on the NEA: it was poorly managed, but fundamentally a good idea. They really lost sight of their mission at some point - they got so taken up by the notion that since The Market only allows a certain very narrow range of art to survive (and it is not necessarily in the best interest of our Nation to limit our artists to only Marketable-art) - that the NEA should fund ALL art regardless of other qualities (or lack) of merit. - and they so bought into this idea, that they forgot about political realities, and basic survival of the endowment. Some art has to perish - and the notion that that may be "great art" - strikes fear into the heart of the grant sponsors and review boards, but that fear arises from incompetence, and elitist arrogance. People have been frustrated by religious oppression for centuries. That doesn't make a crucifix in a jar of urine "great art". The only thing that art accomplishes is it gives people like Toaoaowa a single example to use to abolish the funding of tens of thousands of other pieces of actual great art, that enriches all of our lives, and helps prevent our nation from slipping into what seems to be an inevitable future of commercial blandness.