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Gwalla
Regular Poster
Posts: 678
Joined: Fri Jan 01, 1999 4:00 pm
Location: Berkeley, CA USA

Post by Gwalla »

<BLOCKQUOTE><font size="1" face="Verdana, Arial">quote:</font><HR>Originally posted by Czhorat:
<B>Panel #1 is possibly the most risque drawing we've seen to date. I'm not sure that it wouldn't have been better to have Alisin less in profile and more facint directly away from us.</B><HR></BLOCKQUOTE><P>Are you kidding?<P>I have one thing to say to that first panel...FAAN SERVICE!!! <IMG SRC="http://www.keenspace.com/forums/biggrin.gif"><P><P>------------------
"Truth hides on the other side of a two-way mirror
In countless documents sent straight to the shredder
That might finally give us the whole of the picture
But until the day we decide to dig a little deeper
We know that truth will hide
Under fallen rocks and stones
At the end of a disconnected phone
Down an unmarked street
And buried, deep beneath your feet."
- Asian Dub Foundation, "Truth Hides" from <I>Community Music</I>

Czhorat
Regular Poster
Posts: 685
Joined: Fri Jan 01, 1999 4:00 pm
Location: Gotham City

Post by Czhorat »

Just a few semi-random comments:<P>Panel #1 is possibly the most risque drawing we've seen to date. I'm not sure that it wouldn't have been better to have Alisin less in profile and more facint directly away from us. <P>Have I turned stupid, or is anyone else confused as to the "WHIISH" sound in the last two panels?<P>Also, the artwork seems oddly inconsistant on this page. In some cases it's quite detailed (we see the gum on the bottom of Tim's shoe, as well as his butt-crack), but some details vanish (Tim's acne and the items on the counter in the 3rd panel). Also, the gun seems to have vanished in the last panel. I'm sure it'll land SOMEWHERE, but we do see all the pokemon cards, the bomb, the Fans, and the collector. <P>I'm still curious as to what'll happen next, but I'm not as enchanted by the opening to this story as I was with the last one. It still is early, so I'm sure things can get better and more interesting.

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